Cassie Paine: Pedestrian Values

Warren G. Flowers Art Gallery 4001 de Maisonneuve West, Montreal, Quebec, Canada

Based in Montreal, Cassie Paine is an installation artist, sculptor, and printmaker.   Using metal fabrication, casting, and interventionist tactics to alter coded materials and infrastructure found in public space, her work critiques underlying power structures  and capitalist value systems focused on profit and development.

Cassie Paine: Pedestrian Values

Warren G. Flowers Art Gallery 4001 de Maisonneuve West, Montreal, Quebec, Canada

Based in Montreal, Cassie Paine is an installation artist, sculptor, and printmaker.   Using metal fabrication, casting, and interventionist tactics to alter coded materials and infrastructure found in public space, her work critiques underlying power structures  and capitalist value systems focused on profit and development.

Cassie Paine: Pedestrian Values

Warren G. Flowers Art Gallery 4001 de Maisonneuve West, Montreal, Quebec, Canada

Based in Montreal, Cassie Paine is an installation artist, sculptor, and printmaker.   Using metal fabrication, casting, and interventionist tactics to alter coded materials and infrastructure found in public space, her work critiques underlying power structures  and capitalist value systems focused on profit and development.

Event Series Cassie Paine: Pedestrian Values Vernissage

Cassie Paine: Pedestrian Values

Warren G. Flowers Art Gallery 4001 de Maisonneuve West, Montreal, Quebec, Canada

Based in Montreal, Cassie Paine is an installation artist, sculptor, and printmaker.   Using metal fabrication, casting, and interventionist tactics to alter coded materials and infrastructure found in public space, her work critiques underlying power structures  and capitalist value systems focused on profit and development.

Cassie Paine: Pedestrian Values

Warren G. Flowers Art Gallery 4001 de Maisonneuve West, Montreal, Quebec, Canada

Based in Montreal, Cassie Paine is an installation artist, sculptor, and printmaker.   Using metal fabrication, casting, and interventionist tactics to alter coded materials and infrastructure found in public space, her work critiques underlying power structures  and capitalist value systems focused on profit and development.